Detail/illustration. Visual identity for the 2019, 2021 and 2022 editions of Finlandsinstitutet’s Finntastic Festival.

Bargoens is a simple sans serif typeface with subtle details inspired by the lettering on road signs. The project was showcased in the 2022 MA Studios exhibition at Aalto University.

Laura Kärki: Tattered Children’s Room Teddy Bear and Furry Darlings, an exhibition catalogue designed in collaboration with Kati Peltola, published by Gallery Halmetoja.

Bargoens Rough.

Äiti (mother) show. Poster and booklet designed in collaboration with Kati Peltola.

Visual identity for the 2019, 2021 and 2022 editions of Finlandsinstitutet’s Finntastic Festival.

Visual identity for the 2019, 2021 and 2022 editions of Finlandsinstitutet’s Finntastic Festival. Photo from the social media of FRIS (Finlandssvenskarnas Riksförbund i Sverige).

Visual identity for the 2019, 2021 and 2022 editions of Finlandsinstitutet’s Finntastic Festival.

Arkkitehtiuutiset (2022–2025). Re-design of the magazine done in collaboration with Kaarina Tammisto. Published by SAFA (The Finnish Association of Architects)
since 1947 the magazine is a finnish-language bulletin for architects and landscape architects and it is read also by real-estate and building industry professionals.

Digital, print, and motion graphics for Flow Festival. Brand design/visual identity for the 2019, 2022 and 2024 editions of the festival by TSTO.

Detail/illustration. Naapurit, Helsinki zine. Editorial work done in collaboration with Elina Ylhäisi. The publication collects anonymous stories about neighbours from the helsinki metropolitan area, organized by postal codes. As we collected the stories, we gave the storytellers the freedom to define their neighborhood. The stories range from roommates to strangers—whomever the storytellers focused on in their neighborhood. These relationships are random and private, which we, as authors, approach with curiosity and gentleness. This version was published in 2020, with the original concept and stories collected in 2016. The project was showcased in the Exploring Narratives 2020 exhibition at Aalto University.

Graphic design for glass artist Kati Peltola.

Modular Builder. Final project from the course Creative Computation for Visual Communication Design, organised at the VCD MA programme at Aalto University School of Arts, Design and Architecture (2022).

Exhibition design for Finnish Museum of Photography.

Art direction and re-design of Ylioppilaslehti (4/2021–3/2022). Ylioppilaslehti is a Finnish student newspaper founded in 1913. The magazine is published by a private company Ylioppilaslehden Kustannus Oy that is owned by HYY (The Student Union of the University of Helsinki).

Secured: Politics of Bodies and Spaces. Exhibition design for Vantaa Art Museum (Vantaan taidemuseo Artsi) and Frame Contemporary Art Finland.

Illustration for finnish left-wing youth magazine Libero 2/2020.

Visual identity for club Ääniwalli. Custom typeface designed in collaboration with Otso Teperi.

Weekly posters, illustrations etc. for Club Kaiku. Brand design/visual identity by Linda Linko. Typeface by Linda Linko and Jaakko Suomalainen.

Graphics/typography for Italo Gems at club Tanner.

Art direction/graphic design for the documentary film Siéva by Jenni Nyberg. Calligraphy by Linda Linko. Typeface by Mii Varakas. Production Zone2 Pictures Oy.

Aalto ARTS Books 1/2017. Camilla Groth: Making Sense Through Hands—Design and Craft Practice Analysed as Embodied Cognition.

Poetry magazine Tuli & Savu #85: Esine (object). Published by Nihil Interit ry. Design and illustrations done in collaboration with Kaarina Tammisto. Typefaces by Niklas Ekholm/Helsinki Type Studio.

Lari Mörö is a freelance art director, graphic designer, illustrator and type designer living in Helsinki, Finland.

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